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Fakie

by Ush

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1.
I stole my valor out the back of a truck that was crashed into a liquor store that trafficked in love for all the false starts and all the charred hearts and veterans of wars foreign, familiar, and peculiar. And as I made my getaway the penitent drunk clutched the handle of his crutch like the neck of a dove— the pope in his purse, his hope as a curse, vomiting at me with his deliriate honesty: "Run, old boy, and they'll chase you down, trip you to the street and crack your crown, or do it my way and give up now: live pretty pretty in an ugly town." Fakie. I learned to take a dive when I was reading the good book. Felt unrelated but it taught me the good look: to let my hair grow long and treat my body all wrong— am I a dirtbag prophet or a slacker terrorist? And as I made my demands to my unruly hands— that it's now or never and it's a pen or a lever for my contact list full of prop IEDs, they bent backwards and signed to me: "Eat, old boy, and you'll choke it down, swallow your shit and wear the gown, or do it our way and give up now: live pretty pretty in an ugly town." Fakie. What's this poor punk life ever done for me but made me dependent on the governing? I'd rather get fucking rich and spend recklessly on guns to kill cops and land to roam free. Burn it down or buy your way out.
2.
Hominidae 03:26
Where've you been, my little gorilla? You been wending well lost amidst the flotilla? Drinking all the poisons they're so eager to give ya? Thinking you're invincie 'spite that naggin' scintilla? Did you see them big trucks and which way they're driving? Did you have the good fun with domesticated thriving? Oh, I know it's easy to get carried away. And oh, I know bowing's easy with the ebbing and waves. But let's call a winner a winner, motherfucker! This fight isn't mine and it shouldn't be yours. I'm a dim-lit slackjaw and born-again scofflaw with just enough spit to spread it on my wrist. Slip the cuffs off, monkey run. You trusted the wrong man, my little gorilla! It's not the one with the gun who's tryin' to kill ya. Look at the silvertongue, baby, the maybe-promise-filla. For he can't dance to you without a little of spilla— spilling the blood from his goblet, spilling the blood from his pimp cup. So let's call a winner a winner, motherfucker! This fight isn't mine and it shouldn't be yours. I'm a limp-fist glassjaw with little but a bonesaw and just enough grit to run it through my wrist. Slip the cuffs off, monkey run to the black butter shack where they keep the bolts down deep under the floorboards where they dream of the heat now, 'cause this is just the kind of thing they expect you to do 'til you take the business end to your crown and your crew. So let's be losers together, little brother! This fight isn't mine and it shouldn't be yours. Just pinch your piece to quick release and fact those fucks with your disease so what they feel in the belly will settle in the skelly.
3.
Mediums 04:48
I just woke up, broke-backed and a little bit dizzy, humming to myself off-notes of a song I only heard about from a close friend who ain't ever yet met me but I know loves the way I be. I caught the hot news in a dragnet on the way to work, worrying myself about the time I spend chasin' dirt— like if that's how it can go down is it worth the pull down, or ought I just pull out? Nothing good, nothing bad, nothing good— just nothing. I keep a razor focus on my one hundred tasks at hand, wondering to myself if life's better whereveristan— it could be, it should be, it ain't fuckin' here— I ain't fuckin' there. I slip into a stream and float down the way I promised myself I'd be able to one day, where what I think is great pays tribute to what I hate and I meet me in the middle. Nothing good, nothing bad, nothing good— just nothing. I feel quite sick not yet having a piece of it like an upward drip, 'cause though I don't trip, I do quite like how it makes me want to fight and get it all on tape. Tape the police, tape the clock, tape the job— tape whatever the fuck it is that makes me quietly when I wanna loudly. Nothing good, nothing bad, nothing good— just nothing.
4.
Savah 02:08
5.
Suckers far and wide, come and join the tribe— we've got a soci system and it runs on vibe. It's the good plant growing at the good plant— for a taxable fee, even you can feel free. We fought for the rot of ego abnegation on the front lines of the local voting station so we can now rest now that we have wrest from proffered palms a balm for the oppressed. Independent businessman, no corporation: you buy it from your mama and sell it to your daddy. Prez green in the bank, prez green so to thank. Keep her feeling flush, keep him in your trust. Independent brainstem, no configuration: you roll it up yourself and forget for your health. All that you need, you find it in your dreams. Don't be so critical of what keeps you liminal. When the fog is thick enough you can't even see your hands, nor if they're bloody, broken, or counting beads. It's the good haze that keeps you in a good place; it makes you feel wild, though it keeps you a child. So line up all your problems and we'll blow 'em over in a kushy fuckin' cloud where only police are sober. And we get quite dumb as a rule of thumb 'cause they won't cuff us up if we gladly succumb. The good corporation with proper allegiances: never buy it retail when there's always a sale. Prez green in the bank, prez green so to thank. Keep you feeling easy, keep you asking pleasey. The good duty brain with proper dependencies: never don't do something that makes you feel better. All that you need, you find it in your dreams. Don't be so critical of what keeps you liminal. A little bit of boredom, go far away. A little bit of weed gonna make my day. A little bit of pain, go far away. A little bit of weed gonna make me okay. We'll all feel better if we smoke together. We'll all feel clever if we smoke together.
6.
Junebaby 03:50
You are the anxious, leeward, and tired. You are a raindrop in the sea. You are the overtrucked and underfucked. You are of the same market as me. You are the anamorphic, cloistered, and horny. You are an idea, incomplete. You are the fortissimo e bellissimo. You are the rapist on your TV. In your palm lives a prayerbook— pure Savahnnic liturgy. Corpus consortium cum pugilist boredom; the you you always wanted to be. I stay up all night lookin' to fight. I stay up all night and I wonder why. I stay up all night lookin' to fight, then wipe my own memory & start anew tomorrow. You are a puerile mote of fungus sprung from the intestine of a flea of such consumptive significance to you and only ye. You know there is no afterlife because you've watched too many different people die in too many different ways to believe all of them could end up in the same place. Bit rot, watch it for the plot. But in your mind thrives an impulse— that yen for freedom that begs: surely this can't be everything when even love feels like the dregs. Here yoked I ask myself: "Who did this to you?" and here yoked I reply "The eye, my god, and I."
7.
Roiler 03:26
I'm not allowed in my own home the home I grew up in the home where I lived the home I fell in love in they kicked me out for trying to burn it down when I saw what they were doing in the dining room in the family room in my own bedroom I put a little flame a flame to the curtains I thought if I could end it there it wouldn't follow me here but I was wrong oh, I was wrong I'm sick to think how I was so pretty pretty little boy with the big bowie with the big wide smile and the sharp white teeth Now I don't get along with very many persons the very many persons running games on me games of chance in which I don't stand a chance of eking out even baby victory so I get a bit loud and I get excited and don't try to burn it down but do get violent miss a few punches and say a few strong words to make me feel less weak but I am still weak I'm sick to think how I was so pretty pretty little boy with the big bowie with the big wide smile and the sharp white teeth You can untie me up unweigh me down lay me in a puddle and watch me drown
8.
S03E21 04:10
Ooh good and cold in my wet bedsheets— wet with bad sweat and remorseful dreams; wet with bad blood, wet with forced love, wet it seems forever ever wanting for touch. But you're way better bending than the metal replacing these nocturnal visits—all so seamy and hazy— with the thigh fission vision sacramental and daily, I'd rather this than just licking my lips. It's 4am, and I'm half asleep, half with you again. You moisten my skin and you taste sweet, despite embittering. Ooh good and hot under your heavy hips— heavy with bad faith and reproaching dreams; heavy with bad burdens, heavy with pink curtains, heavy it seems forever ever wanting for certain. But you're much worse wearing than the solace I'm chasing, these nocturnal visits all so lurid and racy, with the lip spit session for my retrogression, I'd rather the threshing than the orthogonal blessing. Its 4am, and I'm half deplete, half imbued again. You etch in my skin a codic ward, a pluck-feather warning. And when you look away, I find myself following your gaze, and I tell myself it's to ensure it's not at her. But I know different, I know better, I'm unconvinced: I know I'm looking to see whom you might go for next. And I'm filled with a feeling unlike the dread, unlike the fear, unlike the pain, unlike the lust, and I realize it's jealousy that your haunt and your horrors may not be exclusive between us.

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released April 2, 2024

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Ush Richmond, Virginia

21st century night music.

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